Soft Sculpture: Crit 10/19

 Last year's projects
Previous year
2008

Like Claes Oldenberg, you will create a soft version of an everyday object that is normally hard. Choose an object that has interesting contours, no cell phones or iPods, no dolls or characters.

Homework for next week 10/5:
1. Collect materials you will use and bring them to class. You will need fabric (any kind, thick or thin, old or new), stuffing (old pillow, packing peanuts, crumpled newspaper, shredded paper), needles and thread.
2. Detailed drawings of the object you will create. Study and draw all sides of the object. Think about the planes and contours that make up the form.

Next week we will teach you how to sew by hand and also using machines. Come prepared to work.
You will have two in-class work days, and will be graded on preparedness, time management and class participation as well as the quality of your final project.

Homework for next week 10/12:
Bring everything you need for working in class. You should be 1/3 to 1/2 way done. Today we will talk about adding the details to your project.

Critique date: 10/19

Project requirements:
Minimum size 3'x3'x3'
No glue
Design and construction well-planned

Considerations
Scale: Blown up, shrunk, or 1:1
Choice of materials
Surface details(you can finish the sculpture however you want, by adding things to the surface, painting, it's up to you)

Claes Oldenburg pictures for inspiration










Claes Oldenburg's Club Sandwich


Upside Down City


Ice Bag

Claes Oldenburg's Club Sandwich


Upside Down City


Ice Bag


Surface and details on soft sculpture
Christian Holstadt "The Road to Hell is Paved (Best Buy)

The Road to Hell is Paved (Whole Foods)

Christian Holstad
Defined Thorough Deflation and Limits of Exposure

2004
 Mixed Media: Cashmere coat, tie, white shirt, leather glove, terry cloth, polyester, cotton, vintage millinery trimmings, vintage satin glove, champagne glass, men's suiting and vintage party dress
Dimensions variable

Description:
Two stuffed snakes, a dark male and his floral female mate, lay entwined on the gallery floor clutching a bouquet of microphones. This hand-sewn, soft sculpture, typical of Holstad's interest in traditional forms of craftsmanship, invites us to reconsider culturally prescribed notions of gender, domesticity, and high and low art.

Ideas for how to add detail to your soft sculpture: